Tiago Bom The Cynic (Tre, grus, loopet video / Wood, gravel, looped video)

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1 Mo Abd- Ulla Would 1000 flowers make European Spring? It is a constant rehearsing on how to hold fast to any vision, any optimism in a world moving towards complacency, cultural conformity and corporate control? (Intervensjon / Intervention) Mo Abd- Ulla er freelancekunstner, designer og kurator. Hans praksisorienterte forskning utforsker grensene mellom kunst, arkitektur og design. Han har en MArch Architectural Design fra University College London (2011); MA Interior and Spatial Design fra Chelsea College, London (2009); Jan Van Eyck Academy- post academic institute, Fine Art, Maastricht (2005) og BA skulptur fra Kunstakademiet i Bagdad (1997). Han har kuratert en rekke utstillinger og workshops, gjort presentasjoner og holdt forelesninger i ulike kunstinstitusjoner og deltatt i gjesteatelierprogram over hele verden. Mo Abd- Ulla is a freelance artist, designer and curator. His practice- based research explores the boundaries between fine art, architecture and design. He has been awarded MArch Architectural Design, University College London (2011); MA Interior and Spatial Design, Chelsea College, London (2009); Jan Van Eyck Academy- post academic institute, Fine Art, Maastricht (2005) and BA Sculpture, Academy of fine Arts, Baghdad (1997). He has curated a number of shows and workshops; delivered presentations and lectures at art institutes and venues and participated in artist- in- residence programmes worldwide. Hedda Roterud Amundsen Avstaden mellom deg og meg ( The distance between you and me ) (Installasjon med blandede materialer, loopet video, 11 og bok tilgjengelig i resepsjonen / Mixed media installation with looped video, 11' and book available in the reception) Hedda Roterud Amundsen (f. 1989, Norge) er en kunstner som går ut fra Kunsthøgskolen i Oslo med en MA i billedkunst i Hennes verker er vist i Europa og Asia i utstillinger slik som Education Reversed, Fotogalleriet, Oslo (2013), Karaoke Machine, Galleri Ryesgade, København (2013) og Winston Oh Travel Research Award 2012 Exhibition, Project Space, Institute of Contemporary Art Singapore (2012). Hun skriver mange lister, drømmer om å bli birøkter og gledes over å samle. ( Hedda Roterud Amundsen (b. 1989, Norway) is an artist, graduating from Oslo National Academy of the Arts, with a MA in Fine Art in Her works have been exhibited in Europe and Asia in exhibitions such as Education Reversed, Fotogalleriet, Oslo (2013), Karaoke Machine, Galleri Ryesgade, Copenhagen (2013) and Winston Oh Travel Research Award 2012 Exhibition, Project Space, Institute of Contemporary Art Singapore (2012). She also writes a lot of lists, dreams about becoming a beekeeper and enjoys collecting. ( Tiago Bom The Cynic (Tre, grus, loopet video / Wood, gravel, looped video) Tiago Bom (f. 1986, Portugal) er kunstner og kurator. Han har tidligere studert ved Fakultetet for kunst ved Universitetet i Lisboa og det Estiske Kunstakademi. I tillegg har han gjennomført Foundation Programme ved Hotell- og Restaurantskolen i København. I 2012 var han medkurator for utstillingen Open Forum: 13 years of archive, i tillegg til for dets

2 digitale arkiv og forelesningsrekke. I 2013 var han medkurator for den sentralasiatiske paviljongen ved den 55. Veneziabiennalen, dens sideprogram og publikasjon Winter: Poetics and Politics (Mousse Publishing). I 2009 deltok han i Anteciparte, en prisutstilling for unge kunstnere på Museu do Oriente, Lisboa. ( Tiago Bom (b. 1986, Portugal) is an artist and curator. He has previously studied at the Faculty of Fine Arts at the University of Lisbon and the Estonian Academy of the Arts. In addition, he has completed the Foundation Programme in Culinary Arts at HRS in Copenhagen. In 2012 he co- curated the exhibition Open Forum: 13 years of archive, its digital archive and lecture programme. In 2013 he co- curated the Central Asian Pavilion at the 55th Venice Biennale, its parallel programme and publication Winter: Poetics and Politics (Mousse Publishing). In 2009 he participated in Anteciparte, a young artists prize exhibition at Museu do Oriente, Lisbon. ( Victoria Durnak Et bord betyr mer enn et glass ( A table means more than a glass ) (Ståltralle, spennbånd, åttekantet sofabord i mørkt tre med glassplate, hvitt salongbord i tre, lite databord med plate i bjørkefinér, hvite metallbein og hjul; PC- bord i furu, glassbord med hjul og hylle i bjørkefinér, møteromsbord, hvitt spisestuebord med stålbein, spisebord i furu, spisebord i bjørkefinér, spisebord i glass med stålbein, sofabord i furu, furu salongbord, to små bord i bjørkefinér, skrivebord i mørkt tre og hvitt bord i stein fått fra finn.no/torget, gis bort på finn.no/torget mens utstillingen pågår kunstneren leverer minst et bord fra Kunstnernes Hus hver dag, inntil alle bordene er gitt bort / (Steel sack truck, straps, octagonal coffee table in dark wood with glass top, white coffee table in wood, small computer table with birch veneer top, white metal legs and wheels; pine computer table, glass coffee table with wheels and birch veneer shelf, conference room table, white dining table with steel legs, dining table in pine, dining table in birch veneer, glass dining table with steel legs, coffee table in pine, pine coffee table, two small birch veneer tables, desk in dark wood, and white stone table received from finn.no/torget, given away on finn.no/torget during the exhibition the artist delivers one table from Kunstnernes Hus every day, until all of the tables are given away) Victoria Durnak (f. 1989, Norge) er kunstner og forfatter, bosatt i Oslo. Hun har studert ved Konstfack, Stockholm; Sandberg Instituut, Amsterdam og California College of the Arts, LA og senest deltatt på gruppeutstillingene Självportrett, Fullersta Gård, Huddinge (2013) og I Can't Believe I'm Doing This, Kunstvlaai, Amsterdam (2012). Hun har skrevet for publikasjoner som Gigantic, Driving Fast Nowhere, Utflukt, Klassekampen og McSweeney's Quarterly, samt utgitt romanen Deep shit, Arkansas (2011), og diktsamlingene Stockholm sier (2010) og Natt på museet (2012) på Flamme Forlag. I august 2014 deltar hun på gruppeutstillingen Odd Bird, Kuva/Tila Gallery, Helsinki. ( Victoria Durnak (f. 1989, Norway) is an artist and writer, based in Oslo. She has studied at University College of Arts, Crafts and Design, Stockholm; Sandberg Instituut, Amsterdam and California College of the Arts, LA. She has recently participated in the group exhibitions Självportrett, Fullersta Gård, Huddinge (2013) and I Can't Believe I'm Doing This, Kunstvlaai, Amsterdam (2012). She has written for publications such as Gigantic, Driving Fast Nowhere, Utflukt, Klassekampen and McSweeney's Quarterly. Flamme Forlag has published her novel Deep shit, Arkansas which was published in 2011, and her two collections of poetry

3 Stockholm sier ( Stockholm says ) in 2010 and Natt på museet ( Night at the museum ) in In August 2014 she will participate in the group exhibition Odd Bird, Kuva/Tila Gallery, Helsinki. ( Jóhanna Ellen Eye Love: Pretending to Sleep (Videoinstallasjon og performance / Video installation and performance) Jóhanna Ellen (f. 1983, Island) er en kunstner som jobber i flere medier. Hun hadde separatutstillingen Ég er Typpið Þitt: I'm Your Dick, With Weird Letters and Shit på NoPlace i Olso i 2014 og hennes verker er vist i gruppeutstillinger som THE CITY IS EMPTY, Kronika, Bytom, Polen og Høstutstillingen, Kunstnernes Hus, Oslo, begge i ( Jóhanna Ellen (b. 1983, Iceland) is an artist who works in several media. She had the solo exhibition Ég er Typpið Þitt: I'm Your Dick, With Weird Letters and Shit at NoPlace, Oslo in 2014 and her works have been in group exhibitions such as THE CITY IS EMPTY, Kronika, Bytom, Poland and Høstutstillingen (The annual Autumn Exhibition), Kunstnernes Hus, Oslo, both in ( Serina Erfjord Corner (Fargeblyant og pastell på vegg / Colour pencil and pastel on wall) House of milk (Melkesnerk og tråd / Milk skin and thread) Serina Erfjord (f. 1982, Norge) viste i 2013 verk i Norsk Skulpturbiennale på Vigeland- museet, Oslo og i Performa 13, New York. I 2014 vises hennes verk i utendørsutstillingen Open Wire, Køge Kyst, Danmark og i Connecting Sound Etc, Freiraum quartier21, Wien, Østerrike og på Hovefestivalen, Tromøya. ( Serina Erfjord (b. 1982, Norway) participated in Norsk Skulpturbiennale (Norwegian Sculpture Biennial) at The Vigeland Museum, Oslo and in Performa 13, New York last year. In 2014 her works will be shown in the outdoor exhibition Open Wire, Køge Kyst, Denmark; in Connecting Sound Etc, Freiraum quartier21 in Vienna, Austria and at Hovefestivalen, Tromøya, Norway. ( Karin Erixon All That is Romantic Melts Into Air: love as a postmodern condition (2 x 117 x 156 cm, akryl på MDF / 2 x 117 x 156 cm, acrylic on MDF) Violet s Message (4 x 30 x 40 cm, akryl på MDF / 4 x 30 x 40 cm, acrylic on MDF) Karin Erixon (f.1985, Sverige) sine verk er vist i utstillinger på Lijevalchs, Stockholm); Percival Space, Oslo og «The Sacred Fear» et offsite- prosjekt av Kunsthall Oslo. Siden 2013 har hun ledet en lesesirkel som tar for seg tema knyttet til likestilling, og er for tiden i ferd med å planlegge prosjektet Oslo Diskusjonsforum. I tiden som kommer skal hun holde separatutstilling på Italienska Palatset, Växjö og delta i et samarbeidsprosjekt for Podium, Oslo. Hun har BA ( ) og MA ( ) i billedkunst fra Kunsthøgskolen i Oslo, og har studert kjønnsteori ved Universitett i Oslo (2013). (

4 Karin Erixon (b.1985, Sweden) has had works shown in exhibitions at Lijevalchs, Stockholm; Percival Space, Oslo and The Sacred Fear an offsite project by Kunsthall Oslo. Since 2013 she runs a reading group addressing issues of equality, and is currently planning the project Oslo Diskusjonsforum (Oslo Discussion Forum). Solo exhibition at Italienska Palatset, Växjö and participation in a collaboration project for Podium, Oslo are upcoming. She holds BA ( ) and MA ( ) in Fine Art from Oslo National Academy of the Arts and has studied Gender theory at University of Oslo (2013). ( Silje D. Henden Konkurransemennesket (Plakat / Poster, 50 x 70cm) Silje D. Henden (f. 1983, Norge) har en BA i billedkunst fra Kunsthøgskolen i Oslo, og avslutter sin MA samme sted våren Hun jobber hovedsakelig med skulptur og tekst, men har i det siste også begynt å benytte video i sin praksis. I 2011 hadde hun separatutstillingen Åh hjertet! på Malmøgata Fine Art Space (MFAPS), Oslo og jobber for tiden med en serie videoer som representerer digitale versjoner av drømmer. Hennes arbeid tar ofte for seg subjektive opplevelser i dagens sosiale sammenhenger. ( Silje D. Henden (b. 1983, Norway) holds a BA in Fine Art from the Oslo National Academy of the Arts, and is completing an MA with the same institution in the spring of She primarily works with sculptures and text, but has recently also been implementing video in her practice. In 2011 she had a solo show at Malmøgata Fine Art Space (MFAPS), Oslo, titled Åh hjertet! ( Oh, the heart! ), and is currently working with a video series that represents digitalised versions of dreams. Her works often deals with subjective experiences in the contemporary social context. ( Julia Lee L. Hong As boy awoke to tell (in the feel of spring) (Bord, pute, matte, loopet lydspor 7 05 / Table, pillow, mat, looped audio 7'05") Legg deg gjerne ned på matten, og ta helst av deg skoene før du tråkker på den. / Please feel free to rest on the mat and remove your shoes before stepping on it. Julia Lee L. Hong (f. 1985, Sør- Korea) er kunstner. Før hun begynte på sin MA i billedkunst ved Kunsthøgskolen i Oslo studerte hun internasjonal utvikling og statsvitenskap ved Columbia University, New York og University of California, San Diego. Hennes verk er blant annet tidligere vist på Cinemateket, Oslo (2014), Goethe- Institut, New York (2014) og Kunstnernes Hus, Oslo (2014). Gjennom tre semestre fra 2012 til 2013 var hun medkurator for den studentdrevne forelesningsrekken Open Forum, som finner sted på Kunstnernes Hus hver mandag. Hennes favorittsteder i Oslo er hybelen hennes i studentbyen og Sognsvann, der hun sover og går tur. ( Julia Lee L. Hong (b. 1985, South Korea) is an artist. Prior to pursuing her MA in Fine Art at the Oslo National Academy of the Arts she has earned degrees in international development and political science from Columbia University, New York and University of California, San Diego. Her works have been shown at Cinemateket, Oslo (2014), the Goethe- Institut, New York (2014) and Kunstnernes Hus, Oslo (2014), among others. For three terms from 2012 to 2013, she co- curated Open Forum, the student- run lecture series hosted by Kunstnernes Hus

5 every Monday. Her favourite places in Oslo are her room in the dormitory and the lake Sognsvann, where she sleeps and walks. ( Matilda Höög Rep ( Rope ) (Video, 15') Matilda Höög (f. 1980, Sverige) jobber hovedsakelig med narrative, dialogbaserte kortfilmer og videoer som hun selv skriver, regisserer og produserer. Hennes arbeider fokuserer på temaer som kommunikasjon/misforståelser, mellommenneskelige relasjoner i store så vel som små grupper, både kjente og splittede. Hun har så langt ferdigstilt tre filmer som er vist på flere filmfestivaler og i gallerier i Norge: Bröder (2011), Buddies (2012), Barcelona (2013). Hun jobber for tiden med en lenger film, basert på en novelle av den kjente svenske forfatteren Hans Gunnarsson, som ferdigstilles i løpet av ( Matilda Höög (b. 1980, Sweden) mainly works with narrative, dialogue- driven short films and videos that she writes, directs and produces. Her works focus on issues such as communication/miscommunication, relationships amongst people in large as well as small groups, both familiar and estranged. She has so far completed three films that have been shown at film festivals and gallery spaces around Norway: Bröder ( Brothers, 2011), Buddies (2012), Barcelona (2013). She is currently working on a longer film, based on a short story by the well- renowned Swedish author Hans Gunnarsson, to be completed during ( Linda Lerseth DET GODE SELSKAP Andre fase: Avgangsutstillingen (Skulptur / Sculpture) Linda Lerseth (f. 1984, Norge) jobber hovedsakelig med skulptur og installasjon. Hennes arbeider er vist i utstillinger så som No one should call you a dreamer, Galleri F15, Moss (2011), Slippery Slope, Galleri Erik Steen, Oslo (2011) og Terminators, Transformer, Washington DC (2013). I tillegg til egen praksis var hun med å etablere det kunstnerdrevne galleriet Tidens Krav i Oslo sammen med Øyvind Aspen, Anders Holen og Mercedes Mühleisen. Linda Lerseth (b.1984, Norway) works mainly in the field of sculpture and installation. Her works have been included in exhibitions such as at No one should call you a dreamer, Galleri F15, Moss (2011), Slippery Slope, Galleri Erik Steen, Oslo (2011) and Terminators, Transformer, Washington DC (2013). Beside her own artistic practice she is co- founder of the artist- run gallery Tidens Krav in Oslo together with Øyvind Aspen, Anders Holen and Mercedes Mühleisen. Mimmi Mattila Ain t no point to keep a moose on a leash (Loopet bildespill på monitor, 1 30 / Looped slide show on monitor, 1 30 ) Mimmi Mattila (f. 1987, Finland) viste sitt seneste prosjekt Linguistic Interference på Podium, Oslo i mai Tidligere har hun blant annet hatt separatutstillingene You Don t Have to Be Cool to Be My Friend, galleria Punavuori, Helsinki (2009), Maggie Wants to Go

6 Fast, Semikolon, Oslo (2011) og Sometimes they re so odd and hilarious that it s really hard to stand, Blunk, Trondheim (2011). Hun har også utgitt Popes and Kings and Queens and Other Influential Businessmen (Glemmeboka forlag, 2011). Mimmi Mattila (b. 1987, Finland) showed her most recent project in the solo exhibition Linguistic Interference at Podium, Oslo in May Past activities include the solo exhibitions You Don t Have to Be Cool to Be My Friend, galleria Punavuori, Helsinki (2009), Maggie Wants to Go Fast, Semikolon, Oslo (2011) and Sometimes they re so odd and hilarious that it s really hard to stand, Blunk, Trondheim (2011). She has also published Popes and Kings and Queens and Other Influential Businessmen (Glemmeboka forlag, 2011). Andreas Hald Oxenvad Gymnopedist (for hand) (Silikon, EV3 brick, servomotorer / Silicone, EV3 brick, servomotors) Untitled Peace Unbalanced Piece Unbalanced Peace (Lyd, 3 37, stol, hodetelefoner / Sound, 3 37, chair, headphones) Andreas Hald Oxenvad (f. 1979, Danmark) er kunstner, organisator, konstruktør, komponist, musiker, lydillusjonist, tenker, gymnopedist, fonometograf, elsker, løgner, Buddhist, klient, stolt og et redd helvetes menneske. Han er grunnlegger og kurator for Spikersuppa lydgalleri som presenterer lydkunst, performancer og konserter på isbanen i Spikersuppa i Oslo fra desember til begynnelsen av mars. Han er en av fire kunstnere som driver utstillingsprosjektet One Night Only Gallery. Hans verk er basert på persepsjon, konsepter, innhold og materialer, der han søker å utfordre sansene ved å jobbe med radiobølger, støvskulpturer og senest ved å kombinere live opera og støylydskaper i prosjektet Nopera. Hans arbeider har vært inkludert i utstillinger så som blant annet Dubbelradio, Konsthall C, Stockholm (2013); Atelier Hotel Pro Forma, København (2013) og Gallery D.O.R, Brussel (2012). Andreas Hald Oxenvad (b. 1979, Denmark) is an artist, organiser, constructer, composer, musician, sound- illusionist, thinker, gymnopedist, fonometrographer, lover, lair, Buddhist, client, proud and scared human fucking being. He is the founder and curator of Spikersuppa sound gallery, presenting sound art, performance acts and concerts at Spikersuppa ice skate rink in Oslo from December to the beginning of March. He is one of the four artists running the exhibition project One Night Only Gallery. His works are based on perception, concept, content and materials, seeking to challenge the senses working with radio waves, dust sculpture, and recently combining live opera and noise soundscapes in the project Nopera. His works have been featured in Dubbelradio, Konsthall C, Stockholm (2013); Atelier Hotel Pro Forma, Copenhagen (2013) and Gallery D.O.R, Brussels (2012), amongst others. Chandra Sen Fiskeri förbjudet, Spaning förbjuden ( Even cooler ) (Kaseintempera på vegg og oljemalerier, 349 x 776 cm / Casein tempera on wall and oil paintings, 349 x 776 cm) Chandra Sen (f. 1986, Sverige) er maler, improvisatør, skribent og kunstner. Hennes seneste separatutstillinger har vært Everything my painting wants done painting I will do it naturally, kunstenaarsinitiatief beyoncé, Amsterdam (2013) og You Said Her Name Was Sara. Interpretative Prerogative., Podium, Oslo (2013), og hun tar del i ABBA Art Books by

7 Artists, Amsterdam (2014). Hun har vært gjestelærer i maleri på Einar Granum Kunstfagskole og skal være scenograf for A Kiss Me Production høsten Chandra Sen (b. 1986, Sweden) is a painter, improviser, writer and artist. Recent solo exhibitions have been Everything my painting wants done painting I will do it naturally, kunstenaarsinitiatief beyoncé, Amsterdam (2013) and You Said Her Name Was Sara. Interpretative Prerogative., Podium, Oslo (2013), and she is participating in ABBA Art Books by Artists, Amsterdam (2014). She has been a guest teacher for painting at Einar Granum School of Art, and will be working as a scenographer for A Kiss Me Production in the autumn of ( Daniel Slåttnes Observasjoner av meditasjoner, visjoner, og transer ( Observations of meditations, visions and trances ) (Lagerhyller, gips, leire / Storage shelves, plaster, clay) Daniel Slåttnes (f. 1986, Norge) grunnla i 2009 som redaktør, og er fortsatt medlem av deres redaksjonsråd. Tidligere prosjekter har vært medkurator for Mobil IntermediaL Formidlingsentral (et mobilt rom som viser audiovisuelle verk i en varebil, siden 2011). Hans tekster er publisert i blant annet Billedkunst, Kunstforum (No) og KOROs årbok. I viste han verker i utstillingene Temporary Negotiations, Galleri Fisk, Bergen og Hypercube, Blunk, Trondheim. ( Daniel Slåttnes (b. 1986, Norway) was a founding editor of founded in 2009, and is a member of its editorial board. Past projects include co- curating Mobil IntermediaL Formidlingsentral (a mobile space that presents audio- visual art in a van, since 2011). His writing has been published in among others Billedkunst, Kunstforum (No) and Public Art Norway Yearbook. Exhibition activity includes Temporary Negotiations, Galleri Fisk, Bergen and Hypercube, Blunk, Trondheim, both in ( Ayatgali Tuleubek Collapse and Predictability (Installasjon, blandede materialer / Installation, mixed media) Ayatgali Tuleubek (f. 1985, Kasakhstan) utforsker konsekvensens av tilstedeværelsen av teknologi i samfunnet, og vårt forhold til teknologiske enheter og omkringliggende nettverk. Han har deltatt i utstillinger som Moscow Biennial for Young Art (2012) og AYE dunkelblau, Künstlerhaus Stuttgart (2012). I tillegg til sin kunstneriske praksis er han også engasjert i felt som kritikk, poesi og redaksjonelt arbeid. I 2013 var han medkurator for den sentralasiatiske paviljongen ved den 55. Veneziabiennalen, dens sideprogram og publikasjon Winter: Poetics and Politics (Mousse Publishing). ( Ayatgali Tuleubek (b. 1985, Kazakhstan) explores the implications of the presence of technology in society and the nature of our relationship to technological devices and surrounding networks. Exhibitions he has participated in include the Moscow Biennial for Young Art (2012) and AYE dunkelblau, Künstlerhaus Stuttgart (2012). Along with his artistic practice he is also engaged in other fields such as critical writing, poetry, editorial work. He co- curated the Central Asian Pavilion at the 55th Venice Biennale, with its parallel programme and publication Winter: Poetics and Politics (Mousse Publishing, 2014). (

8 Vikram Uchida- Khanna Workshop (Tre, stål, aluminium, kobber, ull, stein / Wood, steel, aluminium, copper, wool, stone) Vikram Uchida- Khanna (f. 1989, Canada) er kunstner og bosatt i Oslo. Han har tidligere studert ved Fraser University i Vancouver og Piet Zwart Institute i Rotterdam, og deltatt i utstillinger som Grad Show 2008, Audain Gallery, Vancouver og Director's Cut, Rotterdam Plaza, Rotterdam (2011); Ground, Gallery D.O.R., Brussel (2012) og The Howl and the Why, Grünerløkka Kunsthall, Oslo (2012). Vikram Uchida- Khanna (b. 1989, Canada) is an artist based in Oslo. He studied at Simon Fraser University in Vancouver and at Piet Zwart Institute in Rotterdam and has participated in the exhibitions Grad Show 2008, Audain Gallery, Vancouver and Director's Cut, Rotterdam Plaza, Rotterdam (2011); Ground, Gallery D.O.R., Brussels (2012) and The Howl and the Why, Grünerløkka Kunsthall, Oslo (2012), amongst others. Tarald Wassvik Mancala (Akvarell, blyant og kull på papir, montert på treramme og innrammet, 30 x 42 cm hver / Watercolour, pencil and charcoal on paper, mounted on board and framed, 30 x 42 cm each) Tarald Wassvik (f. 1986, Norge) er utdannet ved Kunsthøgskolen i Oslo, Kunsthøgskolen i Bergen og Det Kongelige Danske Kunstakademi. Han har deltatt i gruppeutstillinger ved SØ, Copenhagen (2013); Akademirommet, Oslo (2013); BKS Garage, København (2012) og Bristol Biennial, Bristol (2012). Han var med å etablere de kunstnerdrevne initiativene Premiss i Bergen (2010) og Pleasant i København (2012). Tarald Wassvik (b. 1986, Norway) is educated from Oslo National Academy of the Arts, Bergen National Academy of Art and Design and The Royal Danish Academy of Fine Arts. He has participated in group exhibitions at SØ, Copenhagen (2013); Akademirommet, Oslo (2013); BKS Garage, Copenhagen (2012) and The Bristol Biennial, Bristol (2012). He co- founded the artist- run initiatives Premiss in Bergen (2010) and Pleasant in Copenhagen (2012). Jessica Williams Slow Education (Bok, loopet video 30 / Book, looped video, 30') Jessica Williams (f. 1986, USA) er kunstner og bosatt i Oslo. Hun tok sin BFA ved Cooper Union, New York i 2008, og har siden deltatt i flere internasjonale publikasjoner og vist verker i flere utstillinger. Blant hennes senere prosjekter finner vi separatutstillingen BASIC NEEDS, Good Press, Glasgow og fotoboken Sympathetic Objects publisert av Mediabus (Seoul), begge Siden 2011 har hun drevet det lille kunstnerforlaget NSEW (North, South, East, West) og i 2012 etablerte hun «Self- Publishing Workshop» ved Kunsthøgskolen i Oslo. ( Jessica Williams (b. 1986, USA) is an artist based in Oslo. In 2008 she received her BFA from the Cooper Union in NYC and has since had her work featured in several international

9 publications and exhibited widely. Recent projects in 2013 include her solo show BASIC NEEDS at Good Press, Glasgow and the photo book Sympathetic Objects published by Mediabus (Seoul). Since 2011 she has run the small artist publisher NSEW (North, South, East, West) and in 2012 she founded the Self- Publishing Workshop at the Oslo National Academy of the Arts. ( Silje Eugenie Strande Øktner Damlitjennet (Installasjon, 80 x 200 cm / Installation 80 x 200 cm) Silje Eugenie Strande Øktner (f. 1984, Norge) jobber hovedsakelig med stedsspesifikke hendelser, performance og installasjon. Hennes arbeider er tidligere vist i utstillinger som Unge kunstnere i Hedmark på Kunstbanken Hedmark Kunstsenter (2012). Denne våren vises hennes arbeider også i utstillingen Åssen er det du bær deg, du vøl itte skam samme sted. Hun er engasjert i flere tillitsverv, blant annet sitter hun i kommunestyret i Odalen. Silje Eugenie Strande Øktner (b. 1984, Norway) mainly work with site- specific events, performance and installation. Her work has previously been shown in exhibitions such as Unge kunstnere i Hedmark ( Young artists in Hedmark ) at Kunstbanken Hedmark Kunstsenter (2012), and this spring her work will be in the exhibition Åssen er det du bær deg, du vøl itte skam ( Don t complain, you have no shame ) in the same institution. She is engaged in several organisations, and is holds political office in the town council of Odalen. Knut Ivar Aaser Godt grunnlag (Maskinstrikk, treobjekter / Machine Knit, wooden objects) Knut Ivar Aaser (f. 1986, Norge) er utdannet BA og MA i billedkunst fra Kunsthøgskolen i Oslo, med utvekslinger til Kungliga Konsthögskolan, Stockholm og Akademie der Bildenden Künste München. Hans verker har blant annet vært presentert i separatutstillingene SANS på Landings Project Space, Vestfossen (2011) og La det lukte grønnsaker på Tidens Krav (2013). Knut Ivar Aaser (b.1986, Norway) is educated BA and MA in Fine Art from the Oslo National Academy of the Arts, with exchange to Royal Institute of Art, Sotckholm and Akademie der Bildenden Künste München. Solo exhibitions include SANS at Landings Project Space, Vestfossen (2011) and La det lukte grønnsaker at Tidens Krav (2013).